Dimensões Altura: 209cm, Height: 82.37 in / Comprimento 107cm, Width: 42.17 in / Profundidade: 35cm, Depth: 13.9 in.
Código: MOVEL2025106
Armário em cedro encerado. Caixa reta, retangular, com par de portas que revelam duas prateleiras. Par de gavetas alinhadas abaixo, com seus puxadores em jacarandá torneado.
This striking and rare cupboard, originating from the heart of Minas Gerais in the early 1800s, stands as a robust testament to the utilitarian beauty and rustic sophistication of Brazilian colonial furniture. Entirely crafted from native hardwoods, its structure reveals the direct, solid construction typical of rural workshops of the early 19th century, where function and endurance were paramount. The façade is composed of two wide plank doors with deep vertical grooves, framed by thick, chamfered stiles and rails, a stylistic hallmark of regional cabinetry. The original hand-forged iron hinges and escutcheons remain intact, exuding the honesty of artisanal blacksmith work from the period. Below, the cupboard retains its original pair of drawers, each fitted with turned wooden knobs, likely carved from the same timber as the structure itself. Their subtle asymmetry and wear only add to the charm and authenticity of the piece. Inside, the interior offers two broad fixed shelves, designed for the storage of household goods, linens, or ceramics, consistent with its likely use in a rural kitchen or pantry. The feet are sculpted in a primitive skirted bracket style, shaped by hand and softened by two centuries of use. Its surface boasts a warm, time-earned patina, marked by tool impressions, wear, and oxidation, telling the silent story of generations who lived with and around it. This is not a reproduction, but a genuine artifact — a grounded, soulful cupboard ideal for collectors, decorators, or institutions seeking early Brazilian rural furniture with integrity, character, and presence.
Dimensões: Altura: 198,3cm, Height: 78.08 in / Comprimento: 107,2cm , Width: 42.21 in / Profundidade: 27,1cm, Depth: 10.67 in.
Código: MOVEL2025107
Armário em madeira policromada. Caixa retangular, com portas rusticamente almofadadas e ornamentadas por singelas pinturas de jarros florias. Interior composto por três prateleiras fixas e construídas juntamente às paredes do móvel. Fechamento por tramelas.
Rare Painted Cupboard from Early 19th Century Minas Gerais – A Vernacular Jewel An extraordinary example of Brazilian provincial charm, this early 19th-century cupboard from Minas Gerais transcends mere functionality to become a poetic relic of interior folk artistry. Built from solid native woods and preserved in its original polychrome paint, it embodies the domestic soul of a bygone Brazil—intimate, handcrafted, and delicately expressive. The two-panel doors are adorned with naive floral vases painted in soft ochres, yellows, and greens, set against a rich green background with vermillion and burnt sienna framing. These simple bouquets, likely executed by a regional artisan with devotional sensibility, recall the hand of rural piety and the aesthetic modesty of households that prized beauty even in their most utilitarian objects. The original latch—a sculpted wooden peg—remains, functioning with quiet humility as it did two centuries ago. Inside, three deep shelves offer generous storage, while the surfaces retain vestiges of the same paint in a softened, time-worn patina of light blue and celadon. The interior division is marked by a vertical central stile, also hand-painted, adding symmetry and structure. The back, made of thick vertical planks, speaks to the rustic joinery practices common in rural Minas homes of the Empire period. Elevated on elegant tapered legs with simple scalloped aprons, this cupboard retains not only its proportions and hardware but also its aura—an object clearly cherished through generations. Perfect for collectors, designers, or museums, this is more than a storage piece: it is a lyrical fragment of Brazilian memory, infused with color, time, and devotion.
Dimensões: Altura: 110cm, Height: 43.31 in / Comprimento: 259cm, Width: 101.97 in / Profundidade:44cm, Depth: 17.33 in.
Código: MOVEL25101
Banco colonial brasileiro do século XVIII, talhado em vinhático maciço — madeira nobre de belo tom avermelhado. O encosto e a saia apresentam recortes rítmicos e simétricos, com destaque para uma palma estilizada ao centro, evocando o barroco popular. Os braços em voluta e a estrutura firme sugerem uso cerimonial ou devocional. Uma peça escultural, de forte presença e grande raridade.
Ex-coleção Rosa Klabin, Rio de Janeiro.
An 18th-century Brazilian Colonial bench, carved from solid vinhático — a noble hardwood with a rich reddish tone. Its sculptural back and skirt feature rhythmic, symmetrical contours, crowned by a central stylized palm, evoking rustic baroque motifs found in religious brotherhoods. With volute-shaped arms and a solid structure, it likely served a ceremonial or devotional role. A rare and striking piece, ideal for interiors that embrace historical authenticity and cultural depth.
Provenance: Mrs. Rosa Klabin, Rio de Janeiro.
Dimensões: Altura 104m, Height: 40.95 in / Comprimento 181cm, Width: 71.26 in / Profundidade 45cm, Depth: 17.72 in.
Código: MOVEL2025103
Banco em vinhático. Espaldar recortado em peça única, assento retangular e sai recortada em avental, ambos também em tábuas inteiriças. Montantes de secção quadrangular, rematados por carrapetas.
Ex-coleção Rosa Klabin, Rio de Janeiro.
This rare 18th-century Brazilian bench, crafted from solid vinhático wood, is a striking example of colonial furniture design. Its gracefully scalloped backrest and skirt reflect the vernacular charm of rural Brazilian estates, where handcrafted pieces merged rustic function with decorative artistry. The joinery and structure remain remarkably intact, testifying to the skill of the period’s master artisans. The warm hue and natural patina of the vinhático wood highlight the bench’s noble character, while the bold silhouette adds presence and personality to any interior. Ideal for collectors and decorators who appreciate authentic colonial heritage, this bench is not just a seat — it is a living artifact of Brazil’s 18th-century craftsmanship.
Provenance: Mrs. Rosa Klabin, Rio de Janeiro.
Dimensões: Altura 65cm, Height: 25.6 in / Comprimento 64cm, Width: 25.2 in / Profundidade 64cm, Depth: 25.2 in.
Código: OBJ2025104
Braseiro, ou incensário, em latão polido. Recipiente suspenso por base quadrangular, com cantos chanfrados, encimado por tampa em domo retorcido, perfurada, e encimada por Lua Crescente. Pés arqueados, e tabuleiro de apoio, para chão, em latão sobre madeira. Alças, frisos, molduras e ornamentações diversas no mais puro estilo otomano.
Crescent of Smoke: A Majestic Ottoman Censer in Brass and Wood, Circa 1900” A vision of golden grandeur, this rare and evocative censer is a poetic relic of the East — an objet d’art that once perfumed the air of a refined chamber, a ceremonial hall, or a sanctuary of devotion. Likely crafted in the early 20th century under the lingering influence of Ottoman design, it is a composition of remarkable symmetry and symbolic resonance. The domed lid, elegantly fluted and surmounted by a crescent moon finial, rises like a minaret above the pierced body, allowing tendrils of incense smoke to spiral gently through the air. Beneath, an octagonal chamber is adorned with repoussé handles and rests delicately upon scrolled legs — each curve and contour echoing the refinement of Islamic architectural motifs. All of this is anchored on a scalloped brass platform mounted over a robust wooden base, forming a unified structure measuring approximately 65 cm in height and 64 cm in width. The gleam of hand-hammered brass, mellowed by time, imbues the piece with both nobility and soul. Though utilitarian in origin, this censer transcends function. It speaks of rituals long past, of prayers scented with amber and oud, of private moments lit by lantern glow. Whether as a centerpiece in a collector’s gallery or a singular accent in an opulent interior, it is an object that demands contemplation — a crescent-shaped whisper from another world, still glowing with memory.
Dimensões: Altura: 117cm , Height: 46.07 in / Comprimento: 54cm , Width: 21.26 in / Profundidade: 50cm, Depth: 19.69 in / Altura do assento: 48cm, Seat Height: 18.9 in.
Código: MOVEL25102
Par de cadeiras portuguesas em estilo Dom José, produzidas entre as décadas de 1920 e 1930. Executadas em madeira européia, com encosto recortado e ricamente entalhado, apresentam o típico trabalho ornamental da tradição luso-brasileira tardo-barroca. As pernas em cabriolet com entalhes em concha e a elegante travessa torneada reforçam o refinamento do conjunto.
Pair of Portuguese chairs in the Dom José style, crafted between the 1920s and 1930s. Made from fine european hardwood, the design features a pierced and intricately carved backrest, exemplifying the late Baroque taste of Luso-Brazilian heritage. Cabriole legs with shell carvings and an elegant turned stretcher enhance the ensemble’s refined silhouette.
The beige upholstered seats add a touch of understated elegance and comfort, providing a balanced contrast to the ornate woodwork. Ideal for classic interiors, collector’s settings, or historic-inspired spaces, these chairs offer graceful presence and timeless charm.
Dimensões: Altura: 66,1cm, Height: 26.03 in/ Comprimento: 24cm, Width: 9.45 in / Profundidade: 24cm, Depth: 9.45 in.
Código: OBJ2025105
Par de grandes carrapetas, acabamentos arquitetônicos, em madeira entalhada.
Monumental Pair of Early 19th Century Brazilian Colonial Architectural Finials A striking and rare pair of monumental architectural finials, carved in solid tropical hardwood, likely peroba or jacarandá-de-bahia, dating from the early 1800s and originating from a grand rural estate in Brazil. These sculptural elements embody the robust grace of Luso-Brazilian colonial design, with voluminous organic contours tapering into elegant, temple-like pedestals over squared plinths. Their scale, patina, and deeply aged surface cracks attest to over two centuries of dignified exposure, possibly having crowned the gateposts or balustrades of a fazenda house from the coffee or sugarcane cycle. Each finial is hand-carved from a single block of wood, displaying subtle asymmetries that speak to the artisanal methods of the period. Their form is reminiscent of stylized flame or inverted bellflowers—motifs often found in baroque and rococo ecclesiastical carvings of the era, here secularized and adapted for vernacular architecture. The aged surface bears all the beauty of time: weathering, shrinkage cracks, and oxidation, creating a rich, honest texture impossible to replicate. Ideal as sculptural objects, pedestal displays, or to be recontextualized in contemporary design, they are both architectural relics and timeless decorative statements. Whether installed indoors or in a sheltered garden, these finials carry a sense of rootedness and grandeur. Pieces of this size, age, and provenance rarely appear on the market. Dimensions: 66 cm high x 24 cm x 24cm.
Dimensões: 115cm x 164cm H.
Código: QUADRO3741
Nossa Senhora do Rosário e as Almas do Purgatório. Óleo sobre tela.
Cuzco, século XVIII.
Dimensões: 53cm H x 112cm / 70,5cm H x 130cm.
Código: QUADRO3979
Raríssimo e importante conjunto de quatro óleos retratando crianças em cenas referentes à paixão. Arte decorativa criada para completar, geralmente sobre as portas, as “boiseries” que guarneciam os “chateaux“, e aristocráticas “maisons” no reinado de Luís XV. Molduras em madeira policromada.
França, século XVIII.
Proveniência: Ex-coleção Jorge e Ivani Yunes, São Paulo.
Dimensões: 95cm x 50cm.
Código: TAPETE3939
Almofada confeccionada à partir de uma bolsa de tapete Belouch. Os tapetes de Belouch são tecidos principalmente por artesãos tribais da cidade de Belouch no sudoeste do Paquistão, e nordeste do Irã e do noroeste do Afeganistão.
Século XIX.
Dimensões: 113cm x 68cm.
Código: TAPETE3940
Almofada confeccionada à partir de uma sela Soumak. Os tapetes Soumak são originários do século XVII, primeiramente tecidos na região de Shirvan, no Cáucaso. Com os séculos começaram a ser tecidos em partes do Iran, pelos Curdos, e também pela tribo Shahsavan. Um pouco mais tarde em partes do Afeganistão.
Século XIX.
Dimensões: 54,5cm x 58,5cm x 100cm H.
Código: MOVEL3049
“Amish Wing Chair”, em carvalho. Grande cadeira de braços com espaldar guarnecido por “orelhas”, e tabela recortada. Braços com apoios em balaústre, assento trapezoidal forrado em tecido. Pernas retilíneas, reunidas por travessas de amarração.
Estados Unidos da América, século XIX.